"Martin!"
Martin's head appeared round the side of a shelving unit. "Get
your mop. Aisle sixteen. Now!" The Floor
Manager walked back out before he got an answer. Martin was
already busy, unloading a pallet onto the warehouse shelves, and the
Warehouse Manager would be furious with him if he stopped. And
the Floor Manager would be furious with him if he didn't. But
Martin was used to people getting angry with him, he well knew how
annoying he was. He thought about asking someone what he should do,
but there was nobody around, and the aisle spillage might be
dangerous to customers, so he decided he should go and do that.
And he did.
He
was right. There was glass and slippy liquids all over the
floor and there could have been a nasty accident, maybe even for a
child. Martin was pleased with his choice. But he
received no thanks from anyone out front, just told three times to
hurry up and get it all cleared. And he got the bollocking he
expected when he got back to his pallet. But he still thought
he'd done the right thing.
Fifteen
seconds after the Warehouse Manager's tirade ended the tannoy
sounded.
"Martin
Keele to the manager's office immediately." Martin looked
at his gloomy boss, who glowered even more darkly and turned his
back, strode off. He took that to mean 'yes, OK', so he headed
up to see the shop manager. He'd never even been in there
before, never had the call, so his mind fizzed over with possible
explanations, but he didn't think it was another bollocking.
The big boss would hardly know who he was, and would think him too
unimportant to waste time shouting at - there were plenty of others
able to do it for him.
"Aah,
Martin, come in, come in. Take a seat."
A
seat? Martin readied himself for further surprises. "You
know that SupaSava runs a monthly competition for staff with ll kinds
of different prizes?" Martin nodded, he'd heard about it
in his basic training, and knew somebody who knew somebody in another
shop who knew somebody who'd actually won it once, and got tickets
for a play. "Well it turns out that May's winner is here.
As in people from this shop."
The
shop manager paused, looked closely at his most junior member of
staff. Martin didn't know what to say, so he said nothing.
"Do
you like the cinema Martin?"
"Oh
yeah Mr Smart, I go every week." He wondered if he'd won a
couple of film tickets, which would be so much better than having to
go to a boring play. The manager stifled an uncertain cough.
"Well
we've been given ten tickets to the premiere of Caught in the
Headlights at Leicester Square on the twelfth, next Wednesday.
I've been asked to choose six of the people to go, and head office
have told me the other four names, presumably chosen at random from a
a staff list. And you are, em, you are one of those four.
Now you don't have to go if you don't want to, because you'll be
representing the store, indeed the company, so it might seem like a
lot of pressure to you. Anyway you might already be busy next
week. Are you?" he ended hopefully.
But
Martin was already visualising the red carpet, and who'd be on it.
He knew about Caught in the Headlights, knew it starred Keara
Blakely, and knew she'd be going to Leicester Square. Martin
was a long time fan of Ms Blakely.
"No
sir, not busy at all sir, and I don't think I'd feel any pressure and
it would be great to go and I really like, like really like, Keara
Blakely. So yes, I'll go, I'll go if that's what they want me
to do, happy to go sir. Very happy." Martin beamed
appropriately, looked a couple of centimetres taller.
"OK
then. OK." The manager paused again. "I'll
see to it you get your tickets and all the arrangements and, er, have
a nice time Martin."
"Thank
you Mr Smart"
-----------------------------------------------------------------------------------------------------------------------
When
the details arrived it turned out there was a bit more to it than
just a film ticket. First Martin would have to go Tanmores,
Gentleman's Outfitters, for his black tie outfit. He'd never
worn a dinner jacket before, let alone a bow tie. When he saw
himself in the mirror he remained wordless for thirty seconds,
baffled at the transformation. He didn't look like that in his
anorak. The shop assistant was relieved when Martin finally
uttered a few words, worried that he'd done something to upset his
customer. Then he saw the grin, the sparkle in the eyes, and
could share the happiness.
A
couple of stretch limos took Martin and his co-workers to the film
theatre. Not that the others paid much attention to him,
embarrassed by his resemblance to a manically giggling penguin.
At the theatre they weren't going to be watching the red carpet.
They went in walking along it, just as expectant crowds of fans were
beginning to gather, and were shown into a large room where free
drinks and a buffet were on offer. While his colleagues drank
champagne Martin sought out the mini sausage rolls, before
disappointedly settling for venison tartlets and quails eggs.
They
were taken in to the theatre, shown to seats in the second row,
listened to the opening speeches, Martin watching every move,
following every word, of Keara Blakely, the star of the show.
He watched the film, he loved the film, thought it was the second
best thing Keara had ever done, and he'd seen them all. Martin
was enjoying himself.
Back
to the big reception room, but this time with cast and crew mingling
with the guests. Martin took a glass of something to blend in,
but didn't drink, didn't talk. He watched. He watched the
actors, he watched the director and writer and producers and director
of photography and the CGI woman and the makeup guy and most of the
time he watched Keara. He was happy watching.
"Martin."
No answer. "Martin!" A tug on his DJ sleeve
made him listen. It was Mr Marchant, the Produce Manager who'd
made himself de facto leader of their dectet, dragging him off to
gather with the others. They'd been asked to meet a few people
as a group, the lucky prizewinners who'd been allowed into this world
as outsiders. "Just leave the talking to me" said
Marchant. A few grumbles in response, but nobody was brave
enough to object.
First
came the producers, then the director and some of the techies, and
finally the actors. Marchant did their talking for them, looked
sharply at Christine Graham when she tried to engage the director,
coughed loudly when Peter Simkins asked the CGI woman a tech
question. Finally the lead actors, Else Kruger, Alan Cresswell,
and Keara Blakely herself.
"We
all loved the film and thought you gave your finest performances to
date." Else and Alan shone their teeth and said their thanks,
dying slightly inside at the blandness of these people. Keara was
about to add something when Martin spoke out.
"I
do agree they were all great performances, and that's definitely the
best I've seen from you Alan. But I think your Gabrielle in The
Backstreets of Genoa is still your most powerful role," he said,
nodding at Else, "and Keara, I still prefer you in Grime Street,
that was a stunning piece of acting, especially the warehouse scene,
but I'm sure you'll surpass it one day. Headlights' writing doesn't
really provide you with the chance to reveal those depths of emotion,
does it?"
Marchant
jumped in, horrified at Martin's presumption. "I'm sure Ms
Blakely doesn't want to be bothered with your views, so maybe we'll
let her get back to some of the important people, eh?”
But
Keara had years of experience ignoring men who thought they could
tell her what to do. "Not at all Mr... Thingummy. It's good to
hear from someone who doesn't just tell me what they imagine I want
to hear. You've no idea how tedious it is hearing the same banalities
over and over," as she gave him the look that had turned back an
army in Erica Johnson, "and nobody's more important than a real
film fan," turning back to Martin. "So is Grime Street your
favourite of mine?"
"No,
but I think that's your best performance, though it’s a shame that
Randall as the baddie felt miscast, and there were a couple of plot
holes that spoiled the flow of the storyline. The Dreaming Sea is my
favourite. Not just strong acting, but one of the most perfect
soundtracks, and some stunning cinematography, especially the
undersea stuff. I know your role was comparatively minor, but your
character's revelations on the island were such a critical pivot in
shifting our sympathies from Farrell to Krechov."
"You're
right, and it was a joy to be directed by Jean Stillwell, I hope I
get to work with her again one day."
And
that was that. The other two actors drifted away. The SupaSava group
drifted away, even Marchant realising that he wasn't going to be able
to override Keara Blakely. Martin chatted happily, so absorbed in the
film world that it never occurred to him that if you'd told him
beforehand that he'd be chatting with his favourite actor for over an
hour he'd have been petrified. Keara chatted happily, relieved to
find a young man who loved movies, talked movies, knew movies, and
didn't stare at her with the eyes of a sick puppy.
"I
think I need a drink. D'you want one?"
"I'm
fine thanks, but..."
"OK.
Stay there. Don't move. I'll be back in five." And Keara was off
into the sparkling crowd, leaving Martin to realise what he'd been
doing for the previous seventy minutes. It had been as easy for him
as it was hard to believe now.
"Jeez,
you're still here Martin. Come on, we've got to go now, the cars are
waiting and Marchant's fuming, saying he'll leave you behind if
you're not there quick." Peter grabbed Martin by the arm and
hustled him across the floor and up the broad wine-carpeted stairs to
the main entrance. Keara returned to no Martin, saw him being
manhandled out, plonked her drink into the hands of the nearest
penguin, and ran after them. As she reached the foot of the stairs
she looked up and saw Martin stagger, grab at his ear, and disappear
like a child being pulled in by a particularly clumsy octopus.
Something tiny object flashed in the light, fell to the carpet.
By
the time she reached the top they were gone, and she reluctantly made
her way back into the reception. A metallic glimmer on the second
step down caught her eye, and she bent to pick it up. A stud earring,
shaped like a tiny wave of surf. She remembered seeing it before.
-------------------------------------------------------------------------------------------------------------------------
Caught
in the Headlights proved to be big box office. After the Leicester
Square launch Keara Blakely had one night at home and then four
months doing the rounds. The Canadian premiere, the Australian
premiere, the US premiere. Festivals, celebrations, public
appearances, thirty eight red carpets (she counted every one).
Flashlights, spotlights, crowds, politicians, directors, journalists,
one to ones, one to manys, interviews, charity dinners, TV and radio
and bloggers and vloggers. Flight after flight, hotel after hotel. It
felt good to come home.
Home
to relax. She was exhausted. Happy, yes. Thrilled by how well the
film, and her own performance, had been received. But
tired of the fawning, and entirely fake adulation, of the smiling and
chatting with people she didn't know and would never see again, of
the interviewers who understood so little about filming, of the
desperate desire she saw lasered at her from so many eyes. She
wanted honesty, and some understanding. Old friends and family
played their part, but none of them had any real love for cinema.
Her secretary, Simon, was efficient and effective, but reticent to
speak his mind, and even if he did would it have been worth hearing?
She missed... something.
She'd
been home a couple of days, slutting her way through the hours, and
looking for the key to the drawer in the old kitchen table where she
kept her 'for my eyes only' stuff. It turned up in the bowl in her
study, along with a tiny wave shaped stud. Which took her back to
Leicester Square, one of the most absorbing conversations she'd had
in years, and a man being rushed out of the building as if he was
about to turn into a pumpkin or something. She never did learn his
name, but hadn't he been part of some work group who'd won a prize?
One
call and she had the name SupaSava, and the location of the shop the
party had come from. She could get someone to sort it out for her,
but a weird idea was groping it's way into her brain, like a
particularly determined octopus.
The
next morning she was on the road and heading for a town she'd never
been to before, looking for a supermarket she'd never shopped in
before. Parked up, went in, asked if she could speak to the manager.
Smart didn't recognise her immediately, but went into full fawning
mode when he realised. At least it made him helpful.
"I'm
looking for one of the men who came to the movie premiere back in
April. Didn't get his name, but I have something I think is his, and
I'd like to meet him again. It's not often I get to meet so
knowledgeable and interesting a fan."
"Oh
certainly, certainly, let me just bring up the list of names. What
age would you say he was?"
"About
twenty five maybe? Twenty six? Something like that."
OK,
I have four here who'd fit, but I think we can rule out a couple of
them. Let me call up the others." Smart got the call out for Ben
Crighton and Gerry Crimmin, and they duly obeyed their way to his
office. Keara shook her head. She'd didn't recall either of them.
What about the other two?
"That
would have to be Peter then. Knowledgeable and interesting aren't the
adjectives that would normally spring to mind, but perhaps he has
hidden depths I've yet to see" Smart said with forced
jocularity.
"And
what about the fourth man? Couldn't have hidden depths as well?"
"Martin?
Oh, I really don't think so, I really don't. What you see is what you
get with Martin."
Peter
Simpkins came into the office.
"Oh
it's you." Smart's face mixed surprise with relief at Keara's
words. And fell sour again when she said "You're the one who
dragged him up the stairs, aren't you? Took him away from me when we
really just getting going. Is he around?"
Smart
cut Peter off before he had a chance to reply. "I don't think
Martin is in today, but I really don't think he's the one you're
looking for."
Keara
went up to Peter, looked directly at him and asked "Have you
seen Martin today?" He opened his mouth, looked at Smart,
closed his mouth, opened it again and still no sound emerged.
Peter looked like he was wishing he wasn't there.
"I'll
take that as yes. Would you call him please Mr Smart" the
'Mister' given full thespian significance, "or should I go out
and have a look, maybe ask around?" The manager did as he
was told.
Martin
went up to the office, as puzzled at receiving the order as he had
been all those months before. And surprised to find that
sitting in front of the big boss was his favourite actor. Keara got
up and came towards him.
"Hello
Martin, it's good to see you again , it's a shame some people made it
so difficult." Smart looked at the screen on his desk.
"I think I've got something of yours." And she handed
him the tiny wave.
Martin
looked at the shiny stud in his hand and smiled warmly at the person
who'd come all this way to hand it over. "I wondered where
I'd lost it. I got it to remind me of..."
"...The
Dreaming Sea" they said together, and laughed.
"What
time do you finish work today?"
"Six."
"Would
you be able to have dinner with me after that? There's
something I'd like to ask you. And we never got to finish off
our conversation at the premiere properly."
"Yeah,
sure, that would be, em, really good. There was still so much I
wanted to say and ask and, you know..." He'd seen Smart
looking at him.
"Right,
I'll be back here then. If I'm not there by the door look out
for a blue Audi in the car park. See you then." She
turned. "Thank you Mister Smart, it's been good to find
someone so knowledgeable and interesting in your shop."
She grinned at the confused Martin and left the office. Smart
barked "Get out.", and Martin followed rapidly.
--------------------------------------------------------------------------------------------------------------------
Martin
asked if he could go up to the manager's office the following
morning. Where he presented Smart with his notice. "I
think with the leave I'm due that means I finish on the sixteenth?
Will somebody check that for me? I hope so, because Keara's
expecting me to start my new job on the nineteenth, and I've got to
get myself moved to London by then."
"HR
will be in touch. What happened Martin?"
"I
got a better offer sir. A much much better offer. I think
my fairy godmother must have been looking out for me or something."
Smart never saw Martin again.